Los simples novelistas deben evitarlos si no quieren ofender o desagradar. Pero en estos relatos lo excitante es el hecho, la realidad, la historia. Presentaba todas las apariencias comunes de la muerte. Faltaba el calor.
|Published (Last):||23 March 2006|
|PDF File Size:||3.38 Mb|
|ePub File Size:||9.26 Mb|
|Price:||Free* [*Free Regsitration Required]|
Pero en estos relatos lo excitante es el hecho, la realidad, la historia. THERE are certain themes of which the interest is all-absorbing, but which are too entirely horrible for the purposes of legitimate fiction. These the mere romanticist must eschew, if he do not wish to offend or to disgust. They are with propriety handled only when the severity and majesty of Truth sanctify and sustain them.
We thrill, for example, with the most intense of "pleasurable pain" over the accounts of the Passage of the Beresina, of the Earthquake at Lisbon, of the Plague at London, of the Massacre of St. Bartholomew, or of the stifling of the hundred and twenty-three prisoners in the Black Hole at Calcutta.
But in these accounts it is the fact- it is the reality- it is the history which excites. As inventions, we should regard them with simple abhorrence. La verdadera desgracia, el infortunio por esencia, es particular, no difuso. I have mentioned some few of the more prominent and august calamities on record; but in these it is the extent, not less than the character of the calamity, which so vividly impresses the fancy.
I need not remind the reader that, from the long and weird catalogue of human miseries, I might have selected many individual instances more replete with essential suffering than any of these vast generalities of disaster.
The true wretchedness, indeed- the ultimate woe- is particular, not diffuse. That the ghastly extremes of agony are endured by man the unit, and never by man the mass- for this let us thank a merciful God!
La cuerda de plata no estaba suelta para siempre, ni irreparablemente roto el vaso de oro. To be buried while alive is, beyond question, the most terrific of these extremes which has ever fallen to the lot of mere mortality. That it has frequently, very frequently, so fallen will scarcely be denied by those who think. The boundaries which divide Life from Death are at best shadowy and vague.
Who shall say where the one ends, and where the other begins? We know that there are diseases in which occur total cessations of all the apparent functions of vitality, and yet in which these cessations are merely suspensions, properly so called. They are only temporary pauses in the incomprehensible mechanism.
A certain period elapses, and some unseen mysterious principle again sets in motion the magic pinions and the wizard wheels. The silver cord was not for ever loosed, nor the golden bowl irreparably broken. But where, meantime, was the soul? Presentaba todas las apariencias comunes de la muerte. Faltaba el calor. Apart, however, from the inevitable conclusion, a priori that such causes must produce such effects- that the well-known occurrence of such cases of suspended animation must naturally give rise, now and then, to premature interments- apart from this consideration, we have the direct testimony of medical and ordinary experience to prove that a vast number of such interments have actually taken place.
I might refer at once, if necessary to a hundred well authenticated instances. One of very remarkable character, and of which the circumstances may be fresh in the memory of some of my readers, occurred, not very long ago, in the neighboring city of Baltimore, where it occasioned a painful, intense, and widely-extended excitement. The wife of one of the most respectable citizens-a lawyer of eminence and a member of Congress- was seized with a sudden and unaccountable illness, which completely baffled the skill of her physicians.
After much suffering she died, or was supposed to die. No one suspected, indeed, or had reason to suspect, that she was not actually dead. She presented all the ordinary appearances of death. The face assumed the usual pinched and sunken outline. The lips were of the usual marble pallor. The eyes were lustreless. There was no warmth. Pulsation had ceased. For three days the body was preserved unburied, during which it had acquired a stony rigidity. The funeral, in short, was hastened, on account of the rapid advance of what was supposed to be decomposition.
The lady was deposited in her family vault, which, for three subsequent years, was undisturbed. At the expiration of this term it was opened for the reception of a sarcophagus;- but, alas!
As its portals swung outwardly back, some white-apparelled object fell rattling within his arms. It was the skeleton of his wife in her yet unmoulded shroud. A careful investigation rendered it evident that she had revived within two days after her entombment; that her struggles within the coffin had caused it to fall from a ledge, or shelf to the floor, where it was so broken as to permit her escape.
A lamp which had been accidentally left, full of oil, within the tomb, was found empty; it might have been exhausted, however, by evaporation. On the uttermost of the steps which led down into the dread chamber was a large fragment of the coffin, with which, it seemed, that she had endeavored to arrest attention by striking the iron door. While thus occupied, she probably swooned, or possibly died, through sheer terror; and, in failing, her shroud became entangled in some iron-work which projected interiorly.
Thus she remained, and thus she rotted, erect. Llega a la tumba. In the year , a case of living inhumation happened in France, attended with circumstances which go far to warrant the assertion that truth is, indeed, stranger than fiction. The heroine of the storywas a Mademoiselle Victorine Lafourcade, a young girl of illustrious family, of wealth, and of great personal beauty. Among her numerous suitors was Julien Bossuet, a poor litterateur, or journalist of Paris.
His talents and general amiability had recommended him to the notice of the heiress, by whom he seems to have been truly beloved; but her pride of birth decided her, finally, to reject him, and to wed a Monsieur Renelle, a banker and a diplomatist of some eminence. After marriage, however, this gentleman neglected, and, perhaps, even more positively ill-treated her. Having passed with him some wretched years, she died,- at least her condition so closely resembled death as to deceive every one who saw her.
She was buried- not in a vault, but in an ordinary grave in the village of her nativity. Filled with despair, and still inflamed by the memory of a profound attachment, the lover journeys from the capital to the remote province in which the village lies, with the romantic purpose of disinterring the corpse, and possessing himself of its luxuriant tresses. He reaches the grave.
At midnight he unearths the coffin, opens it, and is in the act of detaching the hair, when he is arrested by the unclosing of the beloved eyes. In fact, the lady had been buried alive. Vitality had not altogether departed, and she was aroused by the caresses of her lover from the lethargy which had been mistaken for death. He bore her frantically to his lodgings in the village. He employed certain powerful restoratives suggested by no little medical learning. Infine, she revived.
She recognized her preserver. She remained with him until, by slow degrees, she fully recovered her original health. She bestowed it upon Bossuet. She returned no more to her husband, but, concealing from him her resurrection, fled with her lover to America.
They were mistaken, however, for, at the first meeting, Monsieur Renelle did actually recognize and make claim to his wife. This claim she resisted, and a judicial tribunal sustained her in her resistance, deciding that the peculiar circumstances, with the long lapse of years, had extinguished, not only equitably, but legally, the authority of the husband.
The "Chirurgical Journal" of Leipsic- a periodical of high authority and merit, which some American bookseller would do well to translate and republish, records in a late number a very distressing event of the character in question. An officer of artillery, a man of gigantic stature and of robust health, being thrown from an unmanageable horse, received a very severe contusion upon the head, which rendered him insensible at once; the skull was slightly fractured, but no immediate danger was apprehended.
Trepanning was accomplished successfully. He was bled, and many other of the ordinary means of relief were adopted. Gradually, however, he fell into a more and more hopeless state of stupor, and, finally, it was thought that he died. The weather was warm, and he was buried with indecent haste in one of the public cemeteries.
His funeral took place on Thursday. On the Sunday following, the grounds of the cemetery were, as usual, much thronged with visiters, and about noon an intense excitement was created by the declaration of a peasant that, while sitting upon the grave of the officer, he had distinctly felt a commotion of the earth, as if occasioned by some one struggling beneath.
Spades were hurriedly procured, and the grave, which was shamefully shallow, was in a few minutes so far thrown open that the head of its occupant appeared. He was then seemingly dead; but he sat nearly erect within his coffin, the lid of which, in his furious struggles, he had partially uplifted.
He was forthwith conveyed to the nearest hospital, and there pronounced to be still living, although in an asphytic condition. After some hours he revived, recognized individuals of his acquaintance, and, in broken sentences spoke of his agonies in the grave. From what he related, it was clear that he must have been conscious of life for more than an hour, while inhumed, before lapsing into insensibility.
The grave was carelessly and loosely filled with an exceedingly porous soil; and thus some air was necessarily admitted. He heard the footsteps of the crowd overhead, and endeavored to make himself heard in turn. It was the tumult within the grounds of the cemetery, he said, which appeared to awaken him from a deep sleep, but no sooner was he awake than he became fully aware of the awful horrors of his position.
This patient, it is recorded, was doing well and seemed to be in a fair way of ultimate recovery, but fell a victim to the quackeries of medical experiment.
The galvanic battery was applied, and he suddenly expired in one of those ecstatic paroxysms which, occasionally, it superinduces. The mention of the galvanic battery, nevertheless, recalls to my memory a well known and very extraordinary case in point, where its action proved the means of restoring to animation a young attorney of London, who had been interred for two days.
This occurred in , and created, at the time, a very profound sensation wherever it was made the subject of converse. El paciente, Mr. The patient, Mr. Edward Stapleton, had died, apparently of typhus fever, accompanied with some anomalous symptoms which had excited the curiosity of his medical attendants. Upon his seeming decease, his friends were requested to sanction a post-mortem examination, but declined to permit it.
As often happens, when such refusals are made, the practitioners resolved to disinter the body and dissect it at leisure, in private. Arrangements were easily effected with some of the numerous corps of body-snatchers, with which London abounds; and, upon the third night after the funeral, the supposed corpse was unearthed from a grave eight feet deep, and deposited in the opening chamber of one of the private hospitals.
An incision of some extent had been actually made in the abdomen, when the fresh and undecayed appearance of the subject suggested an application of the battery. One experiment succeeded another, and the customary effects supervened, with nothing to characterize them in any respect, except, upon one or two occasions, a more than ordinary degree of life-likeness in the convulsive action.
EL RESUMEN DE LA OBRA LITERARIA “EL ENTIERRO PREMATURO” – EDGAR ALLAN POE
Los simples novelistas deben evitarlos si no quieren ofender o desagradar. Pero en estos relatos lo excitante es el hecho, la realidad, la historia. Presentaba todas las apariencias comunes de la muerte. Faltaba el calor. Cesaron las pulsaciones. Era el esqueleto de su mujer con la mortaja puesta.
EL ENTIERRO PREMATURO
Lenguaje, Gramática y Filologías