EURORACK UB1622FX-PRO PDF

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It is a musical instrument. Learn to play it well. Keep them turned over, lying to the left of the text pages, while studying the manual. All functions will be numbered consistently throughout the manual, whether they be in the text or on an illustration. Most specialist subjects are not really all that difficult provided you understand the language used, and the vocabulary of mixing is pretty straightforward. Nevertheless it is as well to be clear about what certain terms mean.

I will attempt to be as unambiguous as possible with terms, since much confusion can arise from sloppy definitions. There are eight mono channels, four stereo channels and two stereo aux returns. In addition there is a 2-track input routable to the main mix.

A channel is always routed to the main mix outs unless Alt is selected, in which case its signal is sent to outputs 3 and 4 instead.

Outputs 3 and 4 may be blended with the main mix at the control room output via a switch. Mono input channels Channels 1 to 8 are mono, with a choice of balanced microphone or line inputs. Stereo input channels A further 8 line inputs on the MXA are configured as 4 stereo input channels. These are ideal for multitrack tape returns, or for accepting outputs from MIDI and other electronic instruments.

Channel outputs A high-quality true logarithmic mm fader feeds the main mix or Alt bus via the channel pan. Aux sends There are two aux send buses on the MXA.

Stereo aux returns stereo line inputs The stereo aux returns lie directly above the master aux sends. These can be routed to the cue send i. The aux returns may also be used for mixing in extra MIDI instruments etc. Main mix output Main mix output level is via a pair of high-quality true-log mm stereo faders and is monitored by a pair of accurate segment bargraph peak meters, surrounded by 4 status LEDs.

The meters should average around 0 dB during loud passages. Perhaps the PFL sequence should be repeated.

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